Paige Emery: The Banana Leaf is a Container Technology

A Kamayan Feast presented by Active Cultures and The Brick

 
 

Paige Emery preparing Kamayan at Bulalayaw Village. October 2021. Courtesy of the artist. 

 

Paige Emery: the Banana Leaf is a Container

Sunday, September 22, 3:30-6 pm

Arlington Gardens, Pasadena

Free, RSVP required

RSVP here

During this year’s fall equinox, artist Paige Emery will create a Filipinx Kamayan feast in collaboration with Los Angeles chef Ria Barbosa, amidst the olive groves of Arlington Garden. Presented by Active Cultures and The Brick, the artist shares an offering of a celebratory, traditional Filipino feast, in which a spread of food and flowers is served on banana leaves, and where we will be seated on the earth and eating by hand. Paige Emery invites us to gather under the changing season’s sun, to eat around the banana leaf and experience ecopoetic rituals interspersed throughout the courses of the afternoon. 

Paige Emery is an artist, herbalist and plant dreamer exploring rituals of remembering the Earth. Her work is invested in interweaving healing arts and critical ecology, ancestral memory and embodied futurities, ecopoetics and socioenvironmental praxis. About this performance, she explains:

The banana leaf is a container technology: that which holds, carries, nourishes, passes on, brings home. Through the ceremonial gathering of Kamayan, the banana leaf holds a scaffolding for ways of relationship. The Filipino practice of eating from banana leaves by hand faded under Spanish and American colonial rule, as it was deemed uncivilized. Through colonization, bananas were also turned into a monoculture market of exploitation, the severing of connection between humans and land, a foundational pillar to dominate humans and land. But the leaf of the banana still carries the memory of communal gathering—a container for remembering how we hold each other in community and how we are held by the Earth that nourishes us. Plants carry ancestral medicine throughout time and space, their form a re-remembering ways of moving with and honoring the cycles of life. 

This event will include a display of Emery’s paintings made on banana leaf fibers using oil paint handmade from traditional Filipino medicinal plants and created as talismans for earthly cycles. The event will start promptly at 4 pm.

This event is part of ECOTONES, a collaborative programming series presented on the occasion of the exhibition Life on Earth: Art & Ecofeminism at The Brick. Four public programs will be led by an artist or artist-collective to explore local agriculture, foraging, food and herbalism as ritual, and biodiversity.

Through this collaboration, these two L.A.-based art organizations are modeling an ecofeminist ethos by sharing authorship, and collectively generating materials and resources. Taking place in conjunction with the Getty Foundation’s ambitious initiative PST ART: Art & Science Collide, ECOTONES will be part of a region-spanning cultural moment, reaching vast audiences interested in the intersection of art, food, feminism, and sustainability. 

Support for this program series is provided by Kim and Keith Allen-Niesen, The Marciano Art Foundation, and Olivia Marciano. 

Lead support for Life on Earth: Art & Ecofeminism is provided by Getty and PST Art: Art & Science Collide, with additional generous support by The Margaret Morgan and Wesley Phoa Fund, The National Endowment for the Arts, The Andy Warhol Foundation for the Visual Arts, The Knox Foundation, Teiger Foundation, and the Wilhelm Family Foundation.